The Alcove – 1985 – A Lost Gem(ser)

Within the aftermath of war, Colonel Elio De Silveris returns with a peculiar trophy – the chief’s daughter, now bound to him in The Alcove. Within the confines of his home, tensions rise as his wife grapples with the presence of this “savage,” unleashing racist comments and attempts at humiliation. However, as time unfolds, fascination replaces disdain, leading to a shift in power dynamics. Zerbal, the once-suppressed black girl, strategically plans her revenge against the Colonel, his wife, and the secretary, blurring the lines between slave and master. With captivating beauty and seductive prowess, Zerbal transforms former masters into willing slaves.

Joe D’Amato, or Aristide Massaccesi, takes the directorial reins in this English-language exploration of his work, specifically The Alcove. Renowned for an uneven portfolio, D’Amato’s expertise shines through in this film, steering clear of explicit content while delivering a compelling narrative with softcore elements.

The cast, featuring Al Cliver as the Colonel, Lilli Carati as the wife, and Annie Belle as the secretary, is notably complemented by Laura Gemser’s standout performance. Gemser effortlessly commands attention with her stunning beauty, undergoing a remarkable transformation from a submissive slave girl to a dominant force, showcasing her acting prowess.

While the initial half of the film establishes itself with aesthetically pleasing softcore scenes, the real intrigue blossoms in the latter half. The plot thickens, delivering unexpected twists and turns, accompanied by more tantalizing softcore moments. The conclusion, though surprising, may feel somewhat abrupt, yet it does not overshadow the overall quality of this hidden gem in D’Amato’s filmography. When compared to his more celebrated works, The Alcove stands out as a truly exceptional cinematic experience.